Augustus Washington (1820 – 1875): African American Daguerreotypist
Advertisement from The Hartford Daily Courant, October 8, 1852

Advertisement from The Hartford Daily Courant, October 8, 1852. This ad shows the world having its picture taken at Washington’s studio - Connecticut Historical Society

by Mary Muller for Your Public Media

Augustus Washington was one of the most talented and successful photographers in mid-1800s Connecticut. He was also an African American. Washington lived in Hartford from 1844 until 1853 and was actively involved in the Abolitionist Movement and the life of Hartford’s free black community. Though his work depicts people of different classes and cultures, ironically, no portraits of African Americans survive from his years in Hartford.

Augustus Washington, the son of former slaves, was born free in Trenton, New Jersey, in 1820. Determined to get an education, and working against the odds of poverty and racial prejudice, he attended schools in New Jersey, New York, and New Hampshire.

Although he was ultimately admitted to Dartmouth College in the fall of 1843, he was forced to leave after one year for financial reasons.

In addition to working at a variety of other jobs, Washington learned the skill of “daguerreotypy” in order to make money to pay for his education. The daguerreotype, named for Louis-Jacques-Mandé Daguerre who invented the process in 1839, was the earliest form of photograph to become widely available. Its precise mirror-like images seemed miraculous to a public that previously had known only artists’ renderings.

Washington came to Hartford in the fall of 1844 to run Talcott Street Congregational Church’s North African School, one of two schools in Hartford for black students. Under the leadership of the Reverend James W. C. Pennington, this church was a hub of regional anti-slavery activity.

Daguerreotype portrait of Eliphalet Adams Bulkeley by Augustus Washington

Daguerreotype portrait of Eliphalet Adams Bulkeley by Augustus Washington, ca. 1853. Bulkeley was the founder of Aetna Insurance Company and one of the wealthiest men in Hartford at the time – Connecticut Historical Society

Hartford Studio Prospers but Liberia Beckons

In 1846, Washington left teaching and opened his daguerreotype studio on Main Street, one of 20 such studios that opened in Hartford between 1840 and 1855. Although many of these businesses quickly failed, Washington established a reputation for quality and prospered for more than six years. A newspaper advertisement at the time read “Washington is at home, and daily executing beautiful and correct Miniatures, equal to any in this country, at his uncommonly cheap prices.”

Believing that African Americans could not “develop [their] moral and intellectual capacities as a distinct people” in the United States, Washington and his family left Hartford for Africa in 1853. He became a prominent citizen of Liberia, a West African colony founded in 1820 for freed American slaves and others of African descent.

Mary Muller is the Lead Museum Educator at the Connecticut Historical Society.

© Connecticut Public Broadcasting Network and Connecticut Historical Society. All rights reserved. This article originally appeared on Your Public Media.

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Shumard, Ann M., National Portrait Gallery (Smithsonian Institution), and Connecticut Historical Society. A Durable Memento: Portraits by Augustus Washington, African American Daguerreotypist. Washington, DC: National Portrait Gallery, 1999.
Sullivan, George. Black Artists in Photography, 1840-1940. New York, NY: Cobblehill Books, 1996.


NiJhuis, Michelle. “A Portrait of Immortality, Faded.” The New Yorker, July 30, 2013. Link.

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